{"id":2649,"date":"2013-11-26T10:51:14","date_gmt":"2013-11-26T10:51:14","guid":{"rendered":"http:\/\/lluisguerra.com\/wordpress\/?p=2649"},"modified":"2013-11-28T08:30:31","modified_gmt":"2013-11-28T08:30:31","slug":"marcha-turca-a-8-pianos","status":"publish","type":"post","link":"https:\/\/www.lluisguerra.com\/wordpress\/?p=2649","title":{"rendered":"Marcha turca a 8 pianos"},"content":{"rendered":"<div class=\"epyt-video-wrapper\"><iframe loading=\"lazy\"  id=\"_ytid_37128\"  width=\"640\" height=\"360\"  data-origwidth=\"640\" data-origheight=\"360\" src=\"https:\/\/www.youtube.com\/embed\/NeUovGDZoj0?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;rel=1&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/div>\n<p><em>En els mons de la m\u00fasica cl\u00e0ssica \u00e9s com\u00fa veure a m\u00fasics que impressionen per la seva serietat i rigor en les formes . Moltes vegades les peces que interpreten no s\u00f3n per menys . Per\u00f2 en aquest curi\u00f3s cas tenim a pianistes de prestigi reconegut que toquen una coneguda pe\u00e7a a octet de pianos ( una formaci\u00f3 del m\u00e9s rara i fins i tot diria que &#8221; for\u00e7ada &#8216;) . Es tracta de la Marxa Turca , part de l&#8217;obra titulada &#8220;Les Ru\u00efnes d&#8217;Atenes&#8221; .<\/p>\n<p>Aquesta obra compr\u00e8n 9 peces compostes per acompanyar l&#8217;obra teatral del mateix nom escrita per August von Kotzeube , per a l&#8217;estrena d&#8217;un teatre constru\u00eft a Pest ( Hongria ) el 1812 . Una obra poc interpretada i de la qual es coneix millor que cap la Marxa Turca .<\/p>\n<p>En la interpretaci\u00f3 ni m\u00e9s ni menys que Radu Lupu i Alicia de Larrocha comparteixen escenari amb Gina Bachauer , Jorge Bolet , Jeanne -Marie Darr\u00e9 , John Lill , Garrick Ohlsson and B\u00e1lint V\u00e1zsonyi en una rara gala musical a Londres . L&#8217;humor apareix sorprenentment amb una &#8216; desinterpretaci\u00f3&#8217; plena de disson\u00e0ncies i gambades, que sorprenen entre aquests m\u00fasics . Fixeu-vos en el pur i barret ( turc ) de Radu Lupu !<\/em><\/p>\n<p><code><\/br><\/code><\/p>\n<p>En los mundos de la m\u00fasica cl\u00e1sica es com\u00fan ver a m\u00fasicos que impresionan por su seriedad y rigor en las formas. Muchas veces las piezas que interpretan no son para menos. Pero en este curioso caso tenemos a pianistas de prestigio reconocido que tocan una conocida pieza a octeto de pianos (una formaci\u00f3n de lo m\u00e1s rara e incluso se dir\u00eda que &#8216;forzada&#8217;). Se trata de la Marcha Turca, parte de la obra titulada &#8220;Las Ruinas de Atenas&#8221;. <\/p>\n<p>Esta obra comprende 9 piezas compuestas para acompa\u00f1ar la obra teatral del mismo nombre escrita por August von Kotzeube, para el estreno de un teatre construido en Pest (Hungria) el 1812. Una obra poco interpretada y de la cual se conoce mejor que ninguna la Marcha Turca. <\/p>\n<p>En la interpretaci\u00f3n nada menos que Radu Lupu y Alicia de Larrocha comparten escenario con Gina Bachauer, Jorge Bolet, Jeanne-Marie Darr\u00e9, John Lill, Garrick Ohlsson and B\u00e1lint V\u00e1zsonyi en una rara gala musical en Londres.El humor aparece sorprendentemente con una &#8216;desinterpretaci\u00f3n&#8217; llena de disonancias y aporreos, que sorprenden entre estos m\u00fasicos. F\u00edjense en el puro y sombrero (turco) de Radu Lupu!<\/p>\n<p><code><\/br><\/code><\/p>\n<p><strong>In a classical music environment it is common to get impressed with the musicians&#8217; seriousness and rigor in the forms. Many times the music they play is not for less. But in this case we have a curious exception where eight renowned pianists play a known piece together (one of the most rare ensemble I&#8217;ve seen) . This is Beethoven&#8217;s Turkish March , part of the work entitled &#8221; The Ruins of Athens&#8221; .<\/p>\n<p>This work contains 9 pieces composed to accompany the same name&#8217;s play  by August von Kotzeube , used for the premiere of a Theater built in Pest ( Hungary) 1812. A not very much performed work which is known better due to its Turkish March .<\/p>\n<p>Performers as Radu Lupu and Alicia de Larrocha share the stage with Gina Bachauer , Jorge Bolet, Jeanne- Marie Darre , John Lill , Garrick Ohlsson and B\u00e1lint V\u00e1zsonyi in a rare musical gala in London. The sense of humor appears with &#8216;uninterpretations&#8217; poundings full of dissonance and , surprisingly coming from these amazing musicians. Notice Radu&#8217;s pure and (Turkish) hat!<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En els mons de la m\u00fasica cl\u00e0ssica \u00e9s com\u00fa veure a m\u00fasics que impressionen per la seva serietat i rigor en les formes . Moltes vegades les peces que interpreten no s\u00f3n per menys . Per\u00f2 en aquest curi\u00f3s cas &hellip; <a href=\"https:\/\/www.lluisguerra.com\/wordpress\/?p=2649\">&#8230; <\/a><\/p>\n","protected":false},"author":1,"featured_media":2656,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15,14,32,26],"tags":[],"class_list":["post-2649","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articulos","category-clasica","category-divulgacion","category-instrumentos"],"_links":{"self":[{"href":"https:\/\/www.lluisguerra.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/2649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lluisguerra.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lluisguerra.com\/wordpress\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lluisguerra.com\/wordpress\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lluisguerra.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2649"}],"version-history":[{"count":4,"href":"https:\/\/www.lluisguerra.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/2649\/revisions"}],"predecessor-version":[{"id":2661,"href":"https:\/\/www.lluisguerra.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/2649\/revisions\/2661"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lluisguerra.com\/wordpress\/index.php?rest_route=\/wp\/v2\/media\/2656"}],"wp:attachment":[{"href":"https:\/\/www.lluisguerra.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2649"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lluisguerra.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2649"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lluisguerra.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}